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James Earl Jones, voice of Darth Vader, dies aged 93

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American actor James Earl Jones, best known for being the voice of the Star Wars villain Darth Vader, has died aged 93.

He died early on Monday morning surrounded by his family, agent Barry McPherson said.

Jones starred in dozens of films including Field of Dreams, Coming To America, Conan the Barbarian and The Lion King. He was best known for giving the Star Wars supervillain Darth Vader his distinctive, gravelly voice.

Mark Hamill, who played Vader’s son Luke Skywalker in Star Wars, posted “RIP Dad” with a broken heart emoji as he shared a news report of the death.

During his career, Jones won three Tony awards including two Emmys and a Grammy, as well as an honorary Oscar in 2011 for lifetime achievement.

In 1971, he became only the second Black man nominated for an Academy Award for best actor, after Sidney Poitier.

Star Trek actor LeVar Burton was among the first to pay tribute to Jones, saying “there will never be another of his particular combinations of graces”.

Also paying tribute, US actor Colman Domingo wrote: “Thank you dear James Earl Jones for everything. A master of our craft. We stand on your shoulders. Rest now. You gave us your best.”

Kevin Costner, who co-starred with Jones in Field of Dreams, said: “That booming voice. That quiet strength. The kindness that he radiated. So much can be said about his legacy, so I’ll just say how thankful I am that part of it includes Field of Dreams.”

Oscar-winning actress Octavia Spencer wrote Jones’ “voice and talent will be remembered always” and that “legendary doesn’t even begin to describe his iconic roles and impact on cinema forever.”

Crystal Minkoff, wife of The Lion King co-director Rob Minkoff, posted a photo of Jones holding a statue of Mufasa alongside the words: “Rest in Power, Mr Jones. You made a young animator’s dream come true when you accepted the role of Mufasa.

“Thank you for all you have done for Rob. Your memory will live on.”

Jones was also the voice of US broadcaster CNN’s “This is CNN” tagline.

“He was the voice of CNN and our brand for many decades, uniquely conveying through speech instant authority, grace, and decorum,” the broadcaster told the Hollywood Reporter.

“That remarkable voice is just one of many things the world will miss about James.”

Born in Mississippi in January 1931, Jones said he was unable to speak for most of his childhood because of a stammer.

He explained he had developed his famous voice while working on how to deal with the stammer.

Jones was best known for voicing Darth Vader in the original Star Wars film, which came out in 1977, and sequels The Empire Strikes Back and Return of the Jedi.

He reprised the role in later film releases such as the first instalment of the Star Wars anthology series, Rogue One, and the third instalment of the sequel trilogy, Star Wars: The Rise of Skywalker – both released in the later 2010s.

A different actor always donned the Darth Vader costume and provided the movement for the famous villain, including the late David Prowse, with Jones lending his deep and instantly recognisable voice.

“I love being part of that whole myth, of that whole cult,” Jones said in an interview with BBC HardTalk in 2012, adding he was glad to oblige fans who asked for a command recital of his “I am your father” line.

Jones said he never made much money off the Darth Vader part – only $9,000 (£6,884) for the first film – and he considered it merely a special effects job.

At his own insistence, he was not given a credit for his performance. He felt it was all merely another “special effect”.

When the films broke all box office records, he was persuaded to rethink.

Jones was also well known as a television performer, playing the older Alex Hailey in Roots: The Next Generation and winning one of his two Emmys for the lead role in the US drama Gabriel’s Fire.

His gravelly tones were used in The Simpsons and he appeared in early episodes of Sesame Street.

Jones also tackled many iconic Shakespeare characters on the stage, including Othello and King Lear.

(BBC News)

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Elton John and Dua Lipa seek protection from AI

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Dua Lipa, Sir Elton John, Sir Ian McKellen and Florence Welch are among a list of stars calling on the prime minister to update copyright laws in a way that protects them from artificial intelligence.

A letter signed by more than 400 British musicians, writers and artists, addressed to Sir Keir Starmer, says failing to give that protection would mean them “giving away” their work to tech firms.

Also at risk, they write, is “the UK’s position as a creative powerhouse”.

They want the PM to back an amendment to the Data (Use and Access) Bill that would require developers to be transparent with copyright owners about using their material to train AI models.

A government spokesperson said: “We want our creative industries and AI companies to flourish, which is why we’re consulting on a package of measures that we hope will work for both sectors.

“We’re clear that no changes will be considered unless we are completely satisfied they work for creators,” they added.

Other signatories include author Kazuo Ishiguro, playwright David Hare, singers Kate Bush and Robbie Williams, as well as Coldplay, Tom Stoppard and Richard Curtis.

Sir Paul McCartney, who told the BBC in January he was concerned about AI ripping off artists, has also signed the letter.

“We are wealth creators, we reflect and promote the national stories, we are the innovators of the future, and AI needs us as much as it needs energy and computer skills,” it states.

They say their concerns can be met if the government backs an amendment proposed by Baroness Beeban Kidron ahead of a key vote in the House of Lords on Monday.

Baroness Kidron’s amendment, it says, would “allow both AI developers and creators to develop licensing regimes that will allow for human-created content well into the future.”

Not everyone agrees with the artists’ approach.

Julia Willemyns, co-founder of the Centre for British Progress think tank, said such proposals could hamper the UK and its bid for growth.

The measures would “do nothing to stop foreign firms from using content from the British creative industries,” she told the BBC.

“A restrictive copyright regime would offshore AI development, chill domestic innovation, and directly harm the UK economy,” she said.

However, the letter comes amid mounting concern from artists over the inclusion of their works, and material protected by copyright, in the data used to develop generative AI systems.

These tools, which can produce new content in response to simple text prompts, have become increasingly popular and available to consumers.

But their capabilities have been accompanied by concerns and criticism over their data use and energy demand.

What is AI, how does it work and what are the concerns about it?

In February, artists including Annie Lennox and Damon Albarn released a silent album to protest about the government’s proposed changes to copyright law.

The government carried out a consultation around its proposal to allow developers to be able to use creators’ content on the internet to help develop their models, unless the rights holders elect to “opt out”.

According to The Guardian, ministers were reconsidering the proposal following creator backlash.

Mr Ishiguro pointed the BBC to an earlier statement in which he wrote, “why is it just and fair – why is it sensible – to alter our time-honoured copyright laws to advantage mammoth corporations at the expense of individual writers, musicians, film-makers and artists?”

The Nobel Prize-winning author added that since then the only limited advance was that it now appeared the government had accepted the opt-out proposals were not likely to be workable, He thought a new consultation to find a fairer scheme was possible, though it remained to be seen how meaningful any consultation would be.

“It’s essential that they get this right,” he wrote.

MPs recently rejected a separate amendment tabled by Baroness Kidron that aimed to make AI developers accountable to UK copyright law.

Now, she says transparency obligations for tech firms under the new proposed amendment could support the development of licensing agreements between creators and companies.

“The UK is in a unique position to take its place as a global player in the international AI supply chain, but to grasp that opportunity requires the transparency provided for in my amendments, which are essential to create a vibrant licencing market,” Baroness Kidron said.

In their statement the government said: “It’s vital we take the time to work through the range of responses to our consultation, but equally important that we put in the groundwork now as we consider the next steps.

“That is why we have committed to publishing a report and economic impact assessment – exploring the broad range of issues and options on all sides of the debate.”

(BBC News)

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Restored 4K version of ‘Gehenu Lamai’ to premiere at 2025 Cannes Festival

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‘Gehenu Lamai’, directed by the late Dr. Sumitra Peries, will be screened next week in the Official Selection of the Cannes Film Festival, which will be held from May 13 to May 24 in Cannes, France, under the Cannes Classics category.

Released in 1978, ‘Gehenu Lamai’ is a Sri Lankan Sinhala teenage drama film directed by Sumitra Peries and produced by her husband, Lester James Peries, for Lester Films.

The restoration of ‘Gehenu Lamai’ was undertaken by the Film Heritage Foundation in association with the Dr. Lester James Peries and Sumitra Peries Foundation. It was funded by a grant provided by the Embassy of France in Sri Lanka and the Maldives, and the Embassy of France in India, under the aegis of FISCH (France- India – Sri Lanka Cine Heritage).

Sumitra Peries, the first female filmmaker in Sri Lanka and wife of Dr. Lester James Peries, also served as Sri Lanka’s Ambassador to France in the 1990s. She was decorated as a Chevalier in the Order of Arts and Letters by the French Government.

Born in 1934, she emerged to stardom in the country with over 10 films to her credit and expertise as a screenwriter, director, producer, and editor.

In a triumph for Sri Lanka’s film heritage, Sumitra Peries’ “Gehenu Lamai” (1978) restored by Film Heritage Foundation in association with the Lester James Peries and Sumitra Peries Foundation has been selected for a world premiere at the prestigious Cannes Film Festival 2025.

The film has been restored under the aegis of FISCH: France- India – Sri Lanka Cine Heritage – Saving Film Across Borders – a pioneering international collaboration between Film Heritage Foundation, the Embassy of France and the French Institute in India and the Embassy of France in Sri Lanka and the Maldives, dedicated to restoring and preserving cinematic heritage.

The selection of “Gehenu Lamai” for the 78th Cannes Film Festival marks the fourth year in a row that Film Heritage Foundation is returning to Cannes Classic, but its first with a Sri Lankan film.

Film Heritage Foundation’s earlier restorations – Aravindan Govindan’s “Thamp”, Aribam Syam Sharma’s “Ishanou” and Shyam Benegal’s “Manthan” had red-carpet world premieres at the Cannes Film Festival in 2022, 2023 and 2024.

Recognized as the Outstanding Film of the Year at the 1978 London Film Festival, the debut film of Sumitra Peries – referred to as the Poetess of Sri Lankan Cinema – tells the heartbreaking tale of two young sisters in a Sri Lankan village whose romantic dreams and aspirations are crushed by the class barrier and the conflict between tradition and progress. The poetic black and white imagery beautifully captures the confusion and fragility of adolescent love and yearning coupled with an outstanding performance by a 16 year-old Wasanthi Chathurani as Kusum in her debut role.

(adaderana.lk)

(Except for the headline, this story, originally published by adaderana.lk has not been edited by SLM staff)

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Disney to open theme park in the Middle East

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Walt Disney has announced plans to open its first theme park in the Middle East.

The resort, which will be in the United Arab Emirates (UAE) on Abu Dhabi’s Yas Island, is a collaboration between Walt Disney and local leisure and entertainment company Miral.

Disney already has six theme parks spanning North America, Europe and Asia. Its most recent opening was in 2016 in Shanghai.

Miral is responsible for the development of Yas Island as a tourist destination and already operates SeaWorld and Warner Bros World where it is developing a Harry Potter-themed park.

In a statement announcing the new facility, Disney said the UAE was located within a four-hour flight of one-third of the world’s population, making it a “significant gateway for tourism”.

It added that 120 million passengers travel through Abu Dhabi and Dubai every year, making the Emirates the biggest global airline hub in the world.

Disney chief executive Robert Iger described the plans for the new park as a “thrilling” moment for the company and said Disneyland Abu Dhabi would be “authentically Disney and distinctly Emirati”.

The 10-sq-mile (25-sq-km) Yas Island is 20 minutes from downtown Abu Dhabi and 50 minutes from Dubai.

Miral’s boss Mohamed Abdalla Al Zaabi said bringing a Disney theme park resort to the area marked a “milestone in our journey to further advance the island’s position as a global destination for exceptional entertainment and leisure”.

He said the development would “support sustained economic growth in Abu Dhabi and beyond”.

The company’s first theme park, Disneyland, opened in Anaheim, California in 1955. It was followed in 1971 by Walt Disney World in Orlando, Florida.

International expansion began in 1983 with a park in Tokyo; Disneyland Paris opened in 1992, then came Hong Kong in 2005 and, most recently, Shanghai in 2016.

Also on Wednesday, Disney announced better than expected results for the first three months of 2025, with revenue up by 7% to $23.6bn (£17.7bn).

The Disney+ streaming business added 1.4 million customers. Previously Disney had predicted a slight decline in subscribers due to a price increase.

Attendance rose at US parks with visitors spending more and there was also a rise in cruise ship bookings following the launch of the new ship Disney Treasure.

“Despite questions around any macroeconomic uncertainty or the impact of competition, I’m encouraged by the strength and resilience of our business,” said Mr Iger.

Danni Hewson, head of financial analysis at AJ Bell said at a time when so many businesses in the US were “worried about the potential impact of tariffs on consumer spending, on household budgets, Disney is feeling confident”.

(BBC News)

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