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Jennifer Lopez files for divorce from Ben Affleck

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Hollywood stars Jennifer Lopez and Ben Affleck are divorcing after two years of marriage.

Lopez filed for divorce on Tuesday in the Los Angeles County Superior Court, according to court documents seen by the BBC.

The pair – dubbed Bennifer by tabloids – formally tied the knot in Las Vegas in July 2022 and held a larger wedding ceremony in Georgia the following month.

Their romance began after they met while working on the set of the 2003 crime caper Gigli. They had originally planned to marry that year, but called off their relationship early in 2004.

Almost two decades later they rekindled their relationship.

“Love is beautiful. Love is kind. And it turns out love is patient. Twenty years patient,” Lopez said in 2022 after announcing the Las Vegas wedding.

The BBC has contacted their representatives for comment.

A court filing in the case says Lopez or her attorney has to notify Affleck with a copy of her petition to dissolve their marriage.

Media reports indicate Lopez, who had legally changed her last name to Affleck, did not list any details of a prenuptial agreement in her petition for divorce.

A document filed in LA’s Superior Court in the case says both Lopez, 55, and Affleck, 52, must share financial information, including their current income, expenses, properties and debts.

The document says both are mandated to divulge any changes to their finances “until there is a final agreement about all financial issues in your case”.

The court gave Lopez 60 days to file a financial disclosure and Affleck will have another 60 days after she submits her information to do likewise.

The filing says if either fails to report or update financial information, it could result in a court-imposed sanction.

There has been months of speculation over their relationship. They reportedly put their Beverly Hills mansion up for sale at $65m (£50m) and were pictured out separately not wearing their wedding rings.

Affleck, a two-time Oscar winner, was previously married to the actress Jennifer Garner, who he met on the set of 2001 romance Pearl Harbor. They split in 2015 after a decade of marriage and have three children together.

Lopez has been married four times, first to Cuban-born waiter Ojani Noa from 1997-98; then her former back-up dancer Cris Judd from 2001-03; and to singer Marc Anthony, with whom she had twins, from 2004-14.

The singer and actress, known as J.Lo, was also once engaged to New York Yankees star Alex Rodriguez.

(BBC News)

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Little Mermaid star gets restraining order against ‘abusive’ ex

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Actress and singer Halle Bailey has been granted a restraining order against rapper and YouTube star DDG, her former boyfriend and the father of their one-year-old son.

The Little Mermaid star alleges he was repeatedly violent with her and made her fear for herself and their child.

On Tuesday, a Los Angeles judge ordered DDG, whose full name is Darryl Dwayne Granberry Jr, to stay away from Bailey and their son until a hearing on 6 June.

Bailey, 25, alleged there had been “multiple acts of physical violence” from Granberry since their split in October. BBC News has asked representatives for Granberry for comment.

In documents requesting the order, reported by the Associated Press, Bailey said: “Throughout our relationship, Darryl has been and continues to be physically, verbally, emotionally, and financially abusive towards me.

“I am seeking orders to protect myself and our son Halo from his ongoing abuse.”

Bailey and Granberry, 27, were in a relationship from 2022 until last year.

In the documents, the actress claims “things got physical between us” after Granberry repeatedly insulted her as she strapped the baby into a seat in his car in January.

“We fought each other, wrestling and tussling,” she said. “At one point, Darryl was pulling my hair. He then slammed my face on the steering wheel, causing my tooth to get chipped. I then stopped fighting back as I was in a lot of pain.”

Bailey included photos of her tooth and bruises on her arms in her filing, which have since been published by some US media outlets.

Two months after the alleged altercation, Bailey alleges that Granberry entered her house when she wasn’t home and texted her a photo of her bed along with a threatening message suggesting she was having sex with other men.

A few days later, she claimed, Granberry berated her when she did not want to send their unwell baby on a visit with him, then smashed the Ring doorbell camera on her porch when he realised it was recording their confrontation.

She further alleged that, when she called a relative for help, he took her phone and slammed a car door on her as she was holding the baby. Bailey filed a police report over the incident.

As part of the restraining order, Granberry was also instructed not to possess any weapons. The judge can extend the order for up to five years at the 6 June hearing.

Bailey also requested that Granberry be ordered to stop using his social media platforms to continue “bad mouthing me to his several millions of fans”.

“He claims I am withholding our son and that I am with other men. As a result, I then receive threats and hate on social media,” she said in the documents.

Bailey shot to fame as part of Chloe x Halle, a pop duo with her sister, and later released music as a solo artist. She has been nominated for five Grammy Awards.

As an actress, she appeared in sitcom Grown-ish from 2018 to 2022. Her biggest role to date, however, was playing the titular character in Disney’s 2023 live-action remake of The Little Mermaid.

DDG rose to fame in the mid-2010s by posting videos on YouTube, and signed a record deal in 2018. He has released four studio albums.

(BBC News)

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Elton John and Dua Lipa seek protection from AI

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Dua Lipa, Sir Elton John, Sir Ian McKellen and Florence Welch are among a list of stars calling on the prime minister to update copyright laws in a way that protects them from artificial intelligence.

A letter signed by more than 400 British musicians, writers and artists, addressed to Sir Keir Starmer, says failing to give that protection would mean them “giving away” their work to tech firms.

Also at risk, they write, is “the UK’s position as a creative powerhouse”.

They want the PM to back an amendment to the Data (Use and Access) Bill that would require developers to be transparent with copyright owners about using their material to train AI models.

A government spokesperson said: “We want our creative industries and AI companies to flourish, which is why we’re consulting on a package of measures that we hope will work for both sectors.

“We’re clear that no changes will be considered unless we are completely satisfied they work for creators,” they added.

Other signatories include author Kazuo Ishiguro, playwright David Hare, singers Kate Bush and Robbie Williams, as well as Coldplay, Tom Stoppard and Richard Curtis.

Sir Paul McCartney, who told the BBC in January he was concerned about AI ripping off artists, has also signed the letter.

“We are wealth creators, we reflect and promote the national stories, we are the innovators of the future, and AI needs us as much as it needs energy and computer skills,” it states.

They say their concerns can be met if the government backs an amendment proposed by Baroness Beeban Kidron ahead of a key vote in the House of Lords on Monday.

Baroness Kidron’s amendment, it says, would “allow both AI developers and creators to develop licensing regimes that will allow for human-created content well into the future.”

Not everyone agrees with the artists’ approach.

Julia Willemyns, co-founder of the Centre for British Progress think tank, said such proposals could hamper the UK and its bid for growth.

The measures would “do nothing to stop foreign firms from using content from the British creative industries,” she told the BBC.

“A restrictive copyright regime would offshore AI development, chill domestic innovation, and directly harm the UK economy,” she said.

However, the letter comes amid mounting concern from artists over the inclusion of their works, and material protected by copyright, in the data used to develop generative AI systems.

These tools, which can produce new content in response to simple text prompts, have become increasingly popular and available to consumers.

But their capabilities have been accompanied by concerns and criticism over their data use and energy demand.

What is AI, how does it work and what are the concerns about it?

In February, artists including Annie Lennox and Damon Albarn released a silent album to protest about the government’s proposed changes to copyright law.

The government carried out a consultation around its proposal to allow developers to be able to use creators’ content on the internet to help develop their models, unless the rights holders elect to “opt out”.

According to The Guardian, ministers were reconsidering the proposal following creator backlash.

Mr Ishiguro pointed the BBC to an earlier statement in which he wrote, “why is it just and fair – why is it sensible – to alter our time-honoured copyright laws to advantage mammoth corporations at the expense of individual writers, musicians, film-makers and artists?”

The Nobel Prize-winning author added that since then the only limited advance was that it now appeared the government had accepted the opt-out proposals were not likely to be workable, He thought a new consultation to find a fairer scheme was possible, though it remained to be seen how meaningful any consultation would be.

“It’s essential that they get this right,” he wrote.

MPs recently rejected a separate amendment tabled by Baroness Kidron that aimed to make AI developers accountable to UK copyright law.

Now, she says transparency obligations for tech firms under the new proposed amendment could support the development of licensing agreements between creators and companies.

“The UK is in a unique position to take its place as a global player in the international AI supply chain, but to grasp that opportunity requires the transparency provided for in my amendments, which are essential to create a vibrant licencing market,” Baroness Kidron said.

In their statement the government said: “It’s vital we take the time to work through the range of responses to our consultation, but equally important that we put in the groundwork now as we consider the next steps.

“That is why we have committed to publishing a report and economic impact assessment – exploring the broad range of issues and options on all sides of the debate.”

(BBC News)

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Restored 4K version of ‘Gehenu Lamai’ to premiere at 2025 Cannes Festival

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‘Gehenu Lamai’, directed by the late Dr. Sumitra Peries, will be screened next week in the Official Selection of the Cannes Film Festival, which will be held from May 13 to May 24 in Cannes, France, under the Cannes Classics category.

Released in 1978, ‘Gehenu Lamai’ is a Sri Lankan Sinhala teenage drama film directed by Sumitra Peries and produced by her husband, Lester James Peries, for Lester Films.

The restoration of ‘Gehenu Lamai’ was undertaken by the Film Heritage Foundation in association with the Dr. Lester James Peries and Sumitra Peries Foundation. It was funded by a grant provided by the Embassy of France in Sri Lanka and the Maldives, and the Embassy of France in India, under the aegis of FISCH (France- India – Sri Lanka Cine Heritage).

Sumitra Peries, the first female filmmaker in Sri Lanka and wife of Dr. Lester James Peries, also served as Sri Lanka’s Ambassador to France in the 1990s. She was decorated as a Chevalier in the Order of Arts and Letters by the French Government.

Born in 1934, she emerged to stardom in the country with over 10 films to her credit and expertise as a screenwriter, director, producer, and editor.

In a triumph for Sri Lanka’s film heritage, Sumitra Peries’ “Gehenu Lamai” (1978) restored by Film Heritage Foundation in association with the Lester James Peries and Sumitra Peries Foundation has been selected for a world premiere at the prestigious Cannes Film Festival 2025.

The film has been restored under the aegis of FISCH: France- India – Sri Lanka Cine Heritage – Saving Film Across Borders – a pioneering international collaboration between Film Heritage Foundation, the Embassy of France and the French Institute in India and the Embassy of France in Sri Lanka and the Maldives, dedicated to restoring and preserving cinematic heritage.

The selection of “Gehenu Lamai” for the 78th Cannes Film Festival marks the fourth year in a row that Film Heritage Foundation is returning to Cannes Classic, but its first with a Sri Lankan film.

Film Heritage Foundation’s earlier restorations – Aravindan Govindan’s “Thamp”, Aribam Syam Sharma’s “Ishanou” and Shyam Benegal’s “Manthan” had red-carpet world premieres at the Cannes Film Festival in 2022, 2023 and 2024.

Recognized as the Outstanding Film of the Year at the 1978 London Film Festival, the debut film of Sumitra Peries – referred to as the Poetess of Sri Lankan Cinema – tells the heartbreaking tale of two young sisters in a Sri Lankan village whose romantic dreams and aspirations are crushed by the class barrier and the conflict between tradition and progress. The poetic black and white imagery beautifully captures the confusion and fragility of adolescent love and yearning coupled with an outstanding performance by a 16 year-old Wasanthi Chathurani as Kusum in her debut role.

(adaderana.lk)

(Except for the headline, this story, originally published by adaderana.lk has not been edited by SLM staff)

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