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Rare typed copy of The Little Prince to go on sale for $1.25m

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A rare typescript of children’s story The Little Prince, one of the most translated books ever published, is set to go on sale for $1.25m (£963,313).

The typescript, which is a typed copy of a text, was produced in New York by its author, Antoine de Saint-Exupéry, while in exile from Nazi-occupied France in the 1940s and is one of three known to be in existence.

The copy contains handwritten notes and sketches by Saint-Exupéry. It will go on sale at the Abu Dhabi Art Festival in the United Arab Emirates in November.

Having the “typed manuscript…is an extremely rare event”, said Sammy Jay, senior literature specialist from the typescript’s seller Peter Harrington Rare Books.

Saint-Exupéry wrote Le Petit Prince, in the original French, for children while living in exile in New York during World War Two. It was published in 1943.

He was an experienced aviator, and after writing the book, returned to Europe on a reconnaissance mission for the Free French air force fighting Nazi Germany. He disappeared on his last mission, and no one knows how or where his plane went down.

The famous work of fiction is about a pilot stranded in a desert who meets a small boy called the Little Prince who is visiting Earth.

Since its publication, The Little Prince has gone on to sell millions of books around the world.

Saint-Exupéry’s original handwritten manuscript is in New York. Two other typescripts are known to be in existence, one in France’s national library and another in the Harry Ransom Center in Texas.

Mr Jay told the BBC that Saint-Exupéry gave those two typescripts to friends before his disappearance, but the third one “wasn’t inscribed or given to someone”.

The third was in a private collection in France “for decades” and is the only copy that has come up to be sold to the public, he said, adding that it is “astounding” to have it.

“It’s very exciting because the quest [for me] is always to find something more and more amazing…I don’t know how I’m going to beat it,” Mr Jay said.

Peter Harrington Rare Books has possessed the typescript since the start of 2024 and has been cataloguing and conducting research on it, as well as making it ready for sale.

The cover shows evidence of stubbed-out cigarettes and the typescript contains Saint-Exupéry’s handwritten notes, annotations, and edits on its pages.

It also features what has been thought to be the first written appearance of one of the story’s most famous lines: “It is only with the heart that one can see rightly; the essential is invisible to the eye.”

This typescript is “much more intimate” than the other two, Mr Jay said, highlighting notes and “doodles” the author made on it.

Two sketches of the Little Prince accompany the artefact, one of which was a preliminary sketch for the book’s final illustration, according to Peter Harrington Rare Books.

The Little Prince is part of a “global literary heritage” as one of the most translated books in the world, Mr Jay said.

He said there was the possibility a museum or library outside of Europe could buy the typescript in November, which could show a “recognition of its global status”.

(BBC News)

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Little Mermaid star gets restraining order against ‘abusive’ ex

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Actress and singer Halle Bailey has been granted a restraining order against rapper and YouTube star DDG, her former boyfriend and the father of their one-year-old son.

The Little Mermaid star alleges he was repeatedly violent with her and made her fear for herself and their child.

On Tuesday, a Los Angeles judge ordered DDG, whose full name is Darryl Dwayne Granberry Jr, to stay away from Bailey and their son until a hearing on 6 June.

Bailey, 25, alleged there had been “multiple acts of physical violence” from Granberry since their split in October. BBC News has asked representatives for Granberry for comment.

In documents requesting the order, reported by the Associated Press, Bailey said: “Throughout our relationship, Darryl has been and continues to be physically, verbally, emotionally, and financially abusive towards me.

“I am seeking orders to protect myself and our son Halo from his ongoing abuse.”

Bailey and Granberry, 27, were in a relationship from 2022 until last year.

In the documents, the actress claims “things got physical between us” after Granberry repeatedly insulted her as she strapped the baby into a seat in his car in January.

“We fought each other, wrestling and tussling,” she said. “At one point, Darryl was pulling my hair. He then slammed my face on the steering wheel, causing my tooth to get chipped. I then stopped fighting back as I was in a lot of pain.”

Bailey included photos of her tooth and bruises on her arms in her filing, which have since been published by some US media outlets.

Two months after the alleged altercation, Bailey alleges that Granberry entered her house when she wasn’t home and texted her a photo of her bed along with a threatening message suggesting she was having sex with other men.

A few days later, she claimed, Granberry berated her when she did not want to send their unwell baby on a visit with him, then smashed the Ring doorbell camera on her porch when he realised it was recording their confrontation.

She further alleged that, when she called a relative for help, he took her phone and slammed a car door on her as she was holding the baby. Bailey filed a police report over the incident.

As part of the restraining order, Granberry was also instructed not to possess any weapons. The judge can extend the order for up to five years at the 6 June hearing.

Bailey also requested that Granberry be ordered to stop using his social media platforms to continue “bad mouthing me to his several millions of fans”.

“He claims I am withholding our son and that I am with other men. As a result, I then receive threats and hate on social media,” she said in the documents.

Bailey shot to fame as part of Chloe x Halle, a pop duo with her sister, and later released music as a solo artist. She has been nominated for five Grammy Awards.

As an actress, she appeared in sitcom Grown-ish from 2018 to 2022. Her biggest role to date, however, was playing the titular character in Disney’s 2023 live-action remake of The Little Mermaid.

DDG rose to fame in the mid-2010s by posting videos on YouTube, and signed a record deal in 2018. He has released four studio albums.

(BBC News)

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Elton John and Dua Lipa seek protection from AI

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Dua Lipa, Sir Elton John, Sir Ian McKellen and Florence Welch are among a list of stars calling on the prime minister to update copyright laws in a way that protects them from artificial intelligence.

A letter signed by more than 400 British musicians, writers and artists, addressed to Sir Keir Starmer, says failing to give that protection would mean them “giving away” their work to tech firms.

Also at risk, they write, is “the UK’s position as a creative powerhouse”.

They want the PM to back an amendment to the Data (Use and Access) Bill that would require developers to be transparent with copyright owners about using their material to train AI models.

A government spokesperson said: “We want our creative industries and AI companies to flourish, which is why we’re consulting on a package of measures that we hope will work for both sectors.

“We’re clear that no changes will be considered unless we are completely satisfied they work for creators,” they added.

Other signatories include author Kazuo Ishiguro, playwright David Hare, singers Kate Bush and Robbie Williams, as well as Coldplay, Tom Stoppard and Richard Curtis.

Sir Paul McCartney, who told the BBC in January he was concerned about AI ripping off artists, has also signed the letter.

“We are wealth creators, we reflect and promote the national stories, we are the innovators of the future, and AI needs us as much as it needs energy and computer skills,” it states.

They say their concerns can be met if the government backs an amendment proposed by Baroness Beeban Kidron ahead of a key vote in the House of Lords on Monday.

Baroness Kidron’s amendment, it says, would “allow both AI developers and creators to develop licensing regimes that will allow for human-created content well into the future.”

Not everyone agrees with the artists’ approach.

Julia Willemyns, co-founder of the Centre for British Progress think tank, said such proposals could hamper the UK and its bid for growth.

The measures would “do nothing to stop foreign firms from using content from the British creative industries,” she told the BBC.

“A restrictive copyright regime would offshore AI development, chill domestic innovation, and directly harm the UK economy,” she said.

However, the letter comes amid mounting concern from artists over the inclusion of their works, and material protected by copyright, in the data used to develop generative AI systems.

These tools, which can produce new content in response to simple text prompts, have become increasingly popular and available to consumers.

But their capabilities have been accompanied by concerns and criticism over their data use and energy demand.

What is AI, how does it work and what are the concerns about it?

In February, artists including Annie Lennox and Damon Albarn released a silent album to protest about the government’s proposed changes to copyright law.

The government carried out a consultation around its proposal to allow developers to be able to use creators’ content on the internet to help develop their models, unless the rights holders elect to “opt out”.

According to The Guardian, ministers were reconsidering the proposal following creator backlash.

Mr Ishiguro pointed the BBC to an earlier statement in which he wrote, “why is it just and fair – why is it sensible – to alter our time-honoured copyright laws to advantage mammoth corporations at the expense of individual writers, musicians, film-makers and artists?”

The Nobel Prize-winning author added that since then the only limited advance was that it now appeared the government had accepted the opt-out proposals were not likely to be workable, He thought a new consultation to find a fairer scheme was possible, though it remained to be seen how meaningful any consultation would be.

“It’s essential that they get this right,” he wrote.

MPs recently rejected a separate amendment tabled by Baroness Kidron that aimed to make AI developers accountable to UK copyright law.

Now, she says transparency obligations for tech firms under the new proposed amendment could support the development of licensing agreements between creators and companies.

“The UK is in a unique position to take its place as a global player in the international AI supply chain, but to grasp that opportunity requires the transparency provided for in my amendments, which are essential to create a vibrant licencing market,” Baroness Kidron said.

In their statement the government said: “It’s vital we take the time to work through the range of responses to our consultation, but equally important that we put in the groundwork now as we consider the next steps.

“That is why we have committed to publishing a report and economic impact assessment – exploring the broad range of issues and options on all sides of the debate.”

(BBC News)

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Restored 4K version of ‘Gehenu Lamai’ to premiere at 2025 Cannes Festival

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‘Gehenu Lamai’, directed by the late Dr. Sumitra Peries, will be screened next week in the Official Selection of the Cannes Film Festival, which will be held from May 13 to May 24 in Cannes, France, under the Cannes Classics category.

Released in 1978, ‘Gehenu Lamai’ is a Sri Lankan Sinhala teenage drama film directed by Sumitra Peries and produced by her husband, Lester James Peries, for Lester Films.

The restoration of ‘Gehenu Lamai’ was undertaken by the Film Heritage Foundation in association with the Dr. Lester James Peries and Sumitra Peries Foundation. It was funded by a grant provided by the Embassy of France in Sri Lanka and the Maldives, and the Embassy of France in India, under the aegis of FISCH (France- India – Sri Lanka Cine Heritage).

Sumitra Peries, the first female filmmaker in Sri Lanka and wife of Dr. Lester James Peries, also served as Sri Lanka’s Ambassador to France in the 1990s. She was decorated as a Chevalier in the Order of Arts and Letters by the French Government.

Born in 1934, she emerged to stardom in the country with over 10 films to her credit and expertise as a screenwriter, director, producer, and editor.

In a triumph for Sri Lanka’s film heritage, Sumitra Peries’ “Gehenu Lamai” (1978) restored by Film Heritage Foundation in association with the Lester James Peries and Sumitra Peries Foundation has been selected for a world premiere at the prestigious Cannes Film Festival 2025.

The film has been restored under the aegis of FISCH: France- India – Sri Lanka Cine Heritage – Saving Film Across Borders – a pioneering international collaboration between Film Heritage Foundation, the Embassy of France and the French Institute in India and the Embassy of France in Sri Lanka and the Maldives, dedicated to restoring and preserving cinematic heritage.

The selection of “Gehenu Lamai” for the 78th Cannes Film Festival marks the fourth year in a row that Film Heritage Foundation is returning to Cannes Classic, but its first with a Sri Lankan film.

Film Heritage Foundation’s earlier restorations – Aravindan Govindan’s “Thamp”, Aribam Syam Sharma’s “Ishanou” and Shyam Benegal’s “Manthan” had red-carpet world premieres at the Cannes Film Festival in 2022, 2023 and 2024.

Recognized as the Outstanding Film of the Year at the 1978 London Film Festival, the debut film of Sumitra Peries – referred to as the Poetess of Sri Lankan Cinema – tells the heartbreaking tale of two young sisters in a Sri Lankan village whose romantic dreams and aspirations are crushed by the class barrier and the conflict between tradition and progress. The poetic black and white imagery beautifully captures the confusion and fragility of adolescent love and yearning coupled with an outstanding performance by a 16 year-old Wasanthi Chathurani as Kusum in her debut role.

(adaderana.lk)

(Except for the headline, this story, originally published by adaderana.lk has not been edited by SLM staff)

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